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        <title>KCRW Engineers&#39; Blog</title>
        <link>http://kcrwengineers.vox.com/library/posts/tags/the+black+keys/page/1/</link>
        <description>In the Studio on KCRW.com</description>
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        <category domain="http://kcrwengineers.vox.com/tags/">the black keys</category>  
 
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            <title>The Black Keys Live Session, 3/31/08</title>
            <link>http://kcrwengineers.vox.com/library/post/the-black-keys-live-session-33108.html?_c=feed-rss-full</link>   
            <author>nobody@vox.com(KCRW Engineers)</author>
            <comments>http://kcrwengineers.vox.com/library/post/the-black-keys-live-session-33108.html?_c=feed-rss-full</comments>
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            <pubDate>Fri, 18 Apr 2008 15:02:05 -0700</pubDate>         
            
            <description>    &lt;p&gt;&lt;a href=&quot;http://www.kcrw.com/music/programs/mb/mb080331the_black_keys&quot;&gt;Watch or listen to The Black Keys live session here&lt;/a&gt;&lt;/p&gt;
    
    
    

    
    
    
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&lt;p&gt;&lt;/p&gt;&lt;p&gt;Hold on to your seat here come the Black Keys!&amp;#160; With all the sessions Ray Guarna and I do in our studio, the goal is to bring you big time studio quality sound.&amp;#160; Sometimes We get in a groove and reach for a certain microphone that we know works all the time.&amp;#160; But when guys like the Black Keys come in- anything is game.&amp;#160; &lt;/p&gt;&lt;p&gt;The two-man duo comprising the Black Keys is singer/guitarist Dan Auerbach and drummer Patrick Carney. They definitely have an ear for what they want their signature sound to be.&amp;#160; They asked me to get some grit on the vocal and get that squashed drum sound in the mix and helped me acomplish this in a few ways.&amp;#160; For Dan&amp;#39;s vocals I ran it not only through our trusty Grace mic pre, I also ran it back into an Avalon 737, hit it with the compession and gave it that overloaded sound.&amp;#160; For the drums we used a room mic going thru another Avalon (squashed) and a grouping of the drum mics going into a vintage 1176 limiter (pegged the meter the whole time).&amp;#160; &lt;/p&gt;
    
    
    

    
    
    
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&lt;p&gt;&lt;/p&gt;&lt;p&gt;During sound check we taped a song and then the guys would come into the control room to listen. When the blend was right, I got the aproval and we went to air.&amp;#160; Although I was aware of what I was doing, it kind of played with my mind. Usually, hearing distortion and the overloading of the gear makes me quickly back off the gains and try to fix something.&amp;#160; The guys are also their own engineers so with their aproval I knew I was doing something right.&amp;#160; &lt;/p&gt;&lt;p&gt;I made a note on our archive notes thinking how funny it will be when years from now somebody listens and wonders what was going on...&amp;#160; I wrote, &amp;quot;Distortion Intentional.&amp;quot;&lt;/p&gt;&lt;p&gt;Mario Diaz&lt;br /&gt;KCRW Sound Engineer&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&amp;#160;&lt;br /&gt; &lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/p&gt;    &lt;p style=&quot;clear:both;&quot;&gt; 
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